Shadows and Dreams

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Film as a subversive and beautiful art
Editor Amir Etminan talks about the challenges and daring of making Jafar Panahi's superb Palme d'Or winner
Oct 31 • 
Patrick Z. McGavin
All that heaven allows
The great American independent director Rob Tregenza talks about his art, life and his excellent new film, The Fishing Place
Mar 7 • 
Patrick Z. McGavin
The Power and the Damned, or the reckoning
Brady Corbet's third feature builds toward a moment of shocking violence. What does it mean?
Feb 14 • 
Patrick Z. McGavin
Bigger than life
Brady Corbet's The Brutalist Is a Visionary, Divisive Epic—And That's the Point
Feb 10 • 
Patrick Z. McGavin
"Dreaming, but awake," or the beautiful and the damned
Some personal thoughts and memories about the work and art of David Lynch (1946-2025)
Jan 23 • 
Patrick Z. McGavin
Women on the verge
Some great actresses give heart, depth and shading in filling out the poetic grandeur of Jacques Audiard's new musical crime thriller
Nov 21, 2024 • 
Patrick Z. McGavin
Crime and punishment
Ludicrous as storytelling, Clint Eastwood's Juror #2 is rich in themes and ideas
Nov 1, 2024 • 
Patrick Z. McGavin
Stranger than paradise
A Joycean conversation with the great writer and director Radu Jude
Mar 21, 2024 • 
Patrick Z. McGavin
Shadows and Dreams
Criticism and commentary on the art of movies
Recommendations
The Stein Line
The Stein Line
Marc Stein
Gideon's Substack
Gideon's Substack
Noah Millman

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