Shadows and Dreams

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All that heaven allows
The great American independent director Rob Tregenza talks about his art, life and his excellent new film, The Fishing Place
Mar 7 • 
Patrick Z. McGavin
1
The Power and the Damned, or the reckoning
Brady Corbet's third feature builds toward a moment of shocking violence. What does it mean?
Feb 14 • 
Patrick Z. McGavin
1
Bigger than life
Brady Corbet's The Brutalist Is a Visionary, Divisive Epic—And That's the Point
Feb 10 • 
Patrick Z. McGavin
2
1
"Dreaming, but awake," or the beautiful and the damned
Some personal thoughts and memories about the work and art of David Lynch (1946-2025)
Jan 23 • 
Patrick Z. McGavin
3
1
Women on the verge
Some great actresses give heart, depth and shading in filling out the poetic grandeur of Jacques Audiard's new musical crime thriller
Nov 21, 2024 • 
Patrick Z. McGavin
1
Crime and punishment
Ludicrous as storytelling, Clint Eastwood's Juror #2 is rich in themes and ideas
Nov 1, 2024 • 
Patrick Z. McGavin
2
1
Stranger than paradise
A Joycean conversation with the great writer and director Radu Jude
Mar 21, 2024 • 
Patrick Z. McGavin
1
'The only way we fail is if we don’t make art'
A Sundance conversation with editor Ron Patane about reframing autobiographical art
Feb 28, 2024 • 
Patrick Z. McGavin
1
Shadows and Dreams
Criticism and commentary on the art of movies
Recommendations
The Stein Line
The Stein Line
Marc Stein
Gideon's Substack
Gideon's Substack
Noah Millman

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